{"id":68965,"date":"2023-09-11T23:47:37","date_gmt":"2023-09-11T23:47:37","guid":{"rendered":"https:\/\/geels.net\/?p=68965"},"modified":"2023-09-11T23:47:37","modified_gmt":"2023-09-11T23:47:37","slug":"royals-drugs-and-rocknroll-bernie-taupin-on-life-with-elton-john","status":"publish","type":"post","link":"https:\/\/geels.net\/beauty\/royals-drugs-and-rocknroll-bernie-taupin-on-life-with-elton-john\/","title":{"rendered":"Royals, drugs and rock\u2019n\u2019roll: Bernie Taupin on life with Elton John"},"content":{"rendered":"
By <\/span>J.P. O'Malley<\/span><\/span><\/span><\/p>\n <\/p>\n Bernie Taupin and Elton John, circa 1985. <\/span>Credit: <\/span>Terry O\u2019Neill\/Iconic Images<\/cite><\/p>\n Add articles to your saved list and come back to them any time.<\/p>\n Bernie Taupin is recalling a creative journey he started with Elton John almost six decades ago. It was the Summer of Love, 1967. Taupin was 17, unemployed, and living in Lincolnshire in the north of England, when he stumbled across an ad in New Musical Express<\/em> placed by Liberty Records in London seeking talent. \u201cI wanted to be a writer, so I replied to that ad, and popped in a few abstract, inconsistent verses,\u201d Taupin explains from his home in Santa Barbara, California. \u201cI believe I may have been the only person to send in lyrics and that is probably why I got a response.\u201d<\/p>\n Taupin later took a train to London, where he was introduced to a piano player and singer named Reg Dwight. Their first meeting happened at Lancaster Grill, not far from Tin Pan Alley, where several music publishers had their offices. Over eggs, sausage and baked beans they discussed music. Dwight was three years older and playing in a band, backing blues player Long John Baldry. Taupin immediately sensed a kindred spirit.<\/p>\n The now 73-year-old lyricist elaborates on this remarkable story in Scattershot: Life, Music, Elton and Me<\/em>. The first part of the autobiography is a coming-of-age tale about two naive young men desperate to make a name for themselves in the music business. They were initially employed as jobbing songwriters by Dick James Music. It was a promising start. James had secured the rights to The Beatles\u2019 songs in 1963.<\/p>\n <\/p>\n A young Bernie Taupin channels Eddie Cochran, playing a guitar with no strings.<\/span>Credit: <\/span>Bernie Taupin Archives<\/cite><\/p>\n But Taupin, on a paltry wage of \u00a310 a week, couldn\u2019t afford to rent a flat. Initially he stayed with relatives but eventually moved in with Dwight, his mother, Sheila, and stepfather, Fred (nicknamed \u201cDerf\u201d by Dwight), into their small apartment in Middlesex. Taupin worked on lyrics in their shared bedroom, while Dwight hammered away at the piano in the living room.<\/p>\n \u201cReg, as he was then, was like a brother to me and incredibly protective,\u201d Taupin recalls. \u201cWe had periphery friends but did everything together.\u201d<\/p>\n \u2018One of us would have to become the actual performer of our own songs. So ultimately, Reg Dwight became Elton John.\u2019<\/p>\n Creatively, though, it was a rough start. They were being asked to write songs for pop acts such as Engelbert Humperdinck and Cilla Black. When it didn\u2019t work, their employers told them to focus on their own material instead. \u201cOnce we dropped the middle-of-the-road songwriting, it meant that one of us would have to become the actual performer of our own songs,\u201d says Taupin. \u201cSo ultimately, Reg Dwight became Elton John.\u201d<\/p>\n Only diehard fans are likely to remember John\u2019s chart debut I\u2019ve Been Loving You<\/em>. The 1968 single tanked. Taupin, who had no creative involvement, describes the song as \u201cmelodically stagnant and lyrically bland\u201d. In late October 1969, he wrote the lyrics to their breakout Your Song<\/em>, which later became a top 10 hit. The hard graft was beginning to bear fruit.<\/p>\n <\/p>\n The original manuscript for \u201cScarecrow,\u201d the first song Bernie Taupin wrote with Elton John. \u201cEven though I had no idea of lyrical composition, Elton managed to make something of my freeform take on what I felt was currently in vogue. Note Elton\u2019s chord chart scribbled in the margins.\u201d<\/span>Credit: <\/span>Bernie Taupin Archives<\/cite><\/p>\n \u201cWe got better and became more confident. There was never a time that we didn\u2019t think that we were going to make it,\u201d he says. \u201cWe got a lot of rejection, but we worked our butts off, stuck in there, and ultimately it paid off.\u201d<\/p>\n Another major turning point was breaking into America after John\u2019s first US gig at the Troubadour, West Hollywood, in August 1970. Taupin had just turned 20. John was 23. Then Los Angeles Times<\/em> music critic Robert Hilburn wrote a glowing review, predicting that John would become \u201cone of rock\u2019s biggest and most important stars\u201d. It was a prescient forecast. Today, Sir Elton John has sold more than 300 million records worldwide and logged 68 top 100 chart entries, starting in 1970, including nine No. 1s and 27 top 10s. In October 2021, he became the first solo artist to have scored a British Top 10 single in six different decades.<\/p>\n <\/p>\n Elton John and Bernie Taupin in 1976.<\/span>Credit: <\/span>DJM Records<\/cite><\/p>\n For most of that time Taupin has worked in the shadows, as the silent creative partner. He is not a typical songwriter. In fact, he disputes he is even worthy of such a title. \u201cElton is most certainly a singer-songwriter, I\u2019m just the writer bit who comes up with lyrical ideas,\u201d he says. A poet, perhaps? \u201cI loathe being referred to as a poet. I\u2019m an observer. I write with a melody in mind, but when I turn over lyrics to Elton, I don\u2019t think for a moment whatever melodic ideas I have are going to be used in the ultimate writing of the song. I would never tread on Elton\u2019s musical toes. It\u2019s not how we work.\u201d<\/p>\n A certain amount of geographical distance has helped their creative relationship. \u201cIn the early days when we first went to the US, I would travel with the band on tour,\u201d says Taupin. \u201cBut you start to grow older and develop your own life.\u201d<\/p>\n Taupin describes John as his soul brother, but from the moment success arrived, they \u201cswam in completely different currents, both socially and sexually,\u201d he says. \u201cWhen Elton came out and admitted his homosexuality, it never bothered me. I never questioned it or thought it was odd. I inherited this open-minded attitude from my mother. She was raised in Switzerland and always believed you should live the life you want to live and be left alone.\u201d<\/p>\n <\/p>\n Elton John, Whoopi Goldberg. Bernie Taupin and Robin Williams: \u201cI was saddened immensely by Robin\u2019s death. He was a thing of beauty in a cantankerous world,\u201d Taupin writes.<\/span>Credit: <\/span>AP<\/cite><\/p>\n Taupin speaks honestly about John\u2019s erratic behaviour. He could be difficult, demanding, child-like even. There were mood swings and tantrums. They were usually his way of coping with the pressures of fame. So were the copious amounts of drugs and alcohol he consumed. Taupin had addiction issues too.<\/p>\n Much of his autobiography is spent documenting the hedonistic lifestyle he lived for quite some time. We read of a visit to the Playboy Mansion in L.A., which Taupin found distasteful, seedy, and pathetic. There are week-long benders (in London, New York, Barbados and L.A.) with legendary hell-raisers including Richard Harris, Oliver Reed and Ringo Starr.<\/p>\n <\/p>\n Bernie Taupin at the Playboy mansion: \u201cElton and I take on Hugh Hefner and Barbie Benton at foosball at the Chicago Playboy Mansion, 1975. We won!\u201d<\/span>Credit: <\/span>David Nutter<\/cite><\/p>\n Taupin recalls a clandestine relationship with the ex-Beatle\u2019s then girlfriend, photographer Nancy Andrews, in the early 1970s. It might not have been wholly honourable, he admits. \u201cI don\u2019t know if Ringo even knows that happened!\u201d says Taupin jovially. \u201cBut I\u2019m absolutely sure it won\u2019t affect our relationship.\u201d<\/p>\n And the drug-taking? Taupin says he wasn\u2019t exactly Keith Richards, but he more than dabbled. On his first tab of acid, he spent an afternoon watching Stanley Kubrick\u2019s 2001: A Space Odyssey<\/em>. With American singer, Alice Cooper, he once tried freebasing, which involves boiling and melting cocaine over a flame until it vaporises. Taupin\u2019s relationship with the white powder began in mid to late \u201970s. By the 1980s it was becoming a problem.<\/p>\n \u201cI don\u2019t like the term survivor,\u201d says Taupin. \u201cThat is for somebody who came out of World War II. I just woke up one day and said I\u2019m bored, so I quit narcotics.\u201d But he never went to rehab. \u201cI was never at a point where my life was in danger from using drugs,\u201d he says. \u201cI think Elton\u2019s life possibly was. So that was certainly more distressing.\u201d<\/p>\n Taupin dedicates a chapter of his autobiography to discussing his love of literature. As well as being a voracious reader, he was also a serious collector of books. His favourite authors include Christopher Isherwood, Anthony Burgess, Gore Vidal, W. Somerset Maugham, Graham Greene, Vladimir Nabokov and Aleksandr Solzhenitsyn. The Russian dissident writer also served as a source of creative inspiration.<\/p>\n Solzhenitsyn\u2019s six-part play, Candle in the Wind<\/em> (1960), gave a detailed account of life in the gulag and the gradual demise of Joseph Stalin\u2019s brutal regime in the Soviet Union. \u201cThe title just screamed out to me, that must be a song,\u201d Taupin recalls. His version, written in honour of Marilyn Monroe, originally appeared on the Goodbye Yellow Brick Road<\/em> album (1973) and was released as a single the following year. Taupin came up with the idea after watching John Huston\u2019s 1961 western The Misfits<\/em>, featuring Monroe, Clark Gable and Montgomery Clift.<\/p>\n \u201cI watched the movie much later, when all the main stars who appeared in it had already died, relatively young. But the person who really stuck out to me was the character [Perce Howland] played by Montgomery Clift,\u201d says Taupin. \u201cHe was a cowboy, who subscribed to the idea of live fast, die young. Marilyn Monroe was not somebody I really cared a great deal about. I made her the subject of the song much later on, but it was a commercial decision, because I knew more people would recognise her.\u201d<\/p>\n The song was remade in August 1997, following the death of Diana, Princess of Wales. John asked Taupin to rework the lyrics and he sang them at her funeral in Westminster Abbey, watched by a worldwide audience of 2.5 billion people. \u201cI did that purely as a favour for Elton,\u201d Taupin says casually. \u201cI didn\u2019t know Princess Diana. But she and Elton were friends.\u201d The song was later released as a single and sold 33 million copies, raising $38 million for the Diana, Princess of Wales Memorial Fund.<\/p>\n \u201cI rewrote the lyrics in, probably, 15 minutes,\u201d he says now. \u201cBut if you put a gun to my head and asked me to recite one lyric from that remake of the song, I wouldn\u2019t be able to tell you.\u201d<\/p>\n <\/p>\n One of Bernie Taupin\u2019s favourite photos with Elton John: \u201cStill connected after all these years,\u201d he writes.<\/span>Credit: <\/span>Lester Cohen<\/cite><\/p>\n Taupin says he has never been much of a royalist. But Elton John was. So Taupin found himself, almost by default, moving in the same social circles as the House of Windsor. \u201cI remember once being at a dinner party for the Queen Mother for high tea at Elton\u2019s house in Windsor,\u201d he says. \u201cShe was delightful.\u201d<\/p>\n He also remembers being rescued by Princess Margaret following a reception and dinner at Kensington Palace. The specific date is a bit hazy. \u201cI have a bad memory. Maybe narcotics and alcohol are responsible for that,\u201d he says. Nevertheless, he remembers that protocol required that he bow to the Princess. When his turn came, he split his pants and was discreetly ushered into Princess Margaret\u2019s private study, where a royal tailor fixed the trousers in a matter of minutes.<\/p>\n <\/p>\n The suit that became Bernie Taupin\u2019s sartorial malfunction while bowing to Princess Margaret. With, from left, Elton John, drummer Nigel Olsson and bassist Dee Murray (far right).<\/span>Credit: <\/span>Bernie Taupin Archives<\/cite><\/p>\n \u201cPrincess Margaret was a character, she swore like a docker, smoked like a chimney and drank like a fish,\u201d he says. \u201cBut I had a fair bit of sympathy for her. She suffered a lot of heartbreak. I found the royal family to be interesting characters, and I ended up with a grudging respect for many of them.\u201d<\/p>\n Taupin says he was determined to write a book that gave little vignettes of his life, rather than a linear-style autobiography. \u201cIn Homer\u2019s Odyssey<\/em>, Ulysses was trying to go through the circle and find his way back home. That is kind of what the book represents to me.\u201d<\/p>\n Taupin remembers August 22, 1998, as another crucial turning point on his wayward journey. \u201cI stepped onto a bus, and my entire life changed forever.\u201d It was the moment he met Heather Kidd. They married in 2004 and have two daughters. Heather is Taupin\u2019s fourth wife.<\/p>\n \u201cI met a lot of wonderful people in my life, I had a lot of relationships and probably learned something from all of them,\u201d he says. \u201cWhat I never found, though, until I met Heather, was the understanding of what I imagined the concept of love to really be.<\/p>\n \u201cHeather and I have been together for around 25 years. I have never felt this gravitational pull towards another human being,\u201d he says. \u201cIt\u2019s very personal, but hopefully we all get to experience that kind of emotional upheaval in our lives.\u201d<\/p>\n <\/p>\n Late in life, Taupin rediscovered God, too. \u201cI\u2019m uncomfortable with the term born-again because it always sounds cultish, but I always knew I would find my way back to my [Christian] faith at some point,\u201d he says.<\/p>\n The country kid from Lincolnshire has come a long way. If Taupin could go back in time and speak to his younger self, what advice would he give him? \u201cI would tell him: never change a thing, live your life the way it was planned out to be,\u201d Taupin says. \u201cI believe we are destined to be on the path that we are put on. I have been blessed with a great life and I don\u2019t regret anything.\u201d<\/p>\n Scattershot: Life, Music, Elton and Me<\/em> by Bernie Taupin is published by Monoray on September 12.<\/strong><\/p>\n The Booklist is a weekly newsletter for book lovers from books editor Jason Steger. <\/i><\/b>Get it delivered every Friday<\/i><\/b>.<\/i><\/b><\/p>\nSave articles for later<\/h3>\n
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